Friday, December 9, 2011

List of the Day 12/9/11

In honor of his 58th birthday, I present the Top Ten Films of John Malkovich

10. Secretariat (Randall Wallace, 2010)

9. Changeling (Clint Eastwood, 2008)


8. Rounders (John Dahl, 1998)

7. In The Line Of Fire (Wolfgang Peterson, 1993)

6. Empire Of The Sun (Steven Spielberg, 1987)

5. Of Mice And Men (Gary Sinise, 1992)

4. Con Air (Simon West, 1997)

3. Burn After Reading (Joel And Ethan Coen, 2008)

2. Dangerous Liaisons (Stephen Frears, 1988)

1. Being John Malkovich (Michel Gondry, 1999)

Thursday, December 8, 2011

Song Of The Day 12/8/11

She Don't Use Jelly
The Flaming Lips
Transmissions From The Satellite Heart (1993)

2011's Not Quite Over

I wanted to make a list of my favorite 2011 films today so badly. However, there are still a few movies that haven't come out yet that I'm dying to see. I'll probably make it around Christmas. Until then, here's a bunch of screenshots from some of my favorite uses of cinematography of all time. Enjoy

Pan's Labyrinth (Guillermo Del Toro, 2006)
The Man Who Wasn't There (Joel And Ethan Coen, 2001)
The Diving Bell And The Butterfly (Julian Schnabel, 2007)
The Last Emperor (Bernardo Bertolucci, 1987)
Citizen Kane (Orson Welles, 1941)
Amelie (Jean-Pierre Jeunet, 2001)
Doctor Zhivago (David Lean, 1965)

Top Albums of 2011

15. Royce da 5'9" - Success Is Certain

14. Beyonce - 4

13. Red Hot Chili Peppers - I'm With You

12. Wilco - The Whole Love

11. Yuck - Yuck

10. Frank Ocean - Nostalgia, Ultra

9. Fleet Foxes - Helplessness Blues

8. Middle Brother - Middle Brother

7. Elbow - Build A Rocket Boys!

6. Drake - Take Care

5. Jay-Z and Kanye West - Watch The Throne

4. Bon Iver - Bon Iver

3. The Horrors - Skying

2. Girls - Father, Son, Holy Ghost

1. The Cool Kids - When Fish Ride Bicycles

Trailer: Extremely Loud and Incredibly Close

Stephen Daldry's first feature film since The Reader (2008), Extremely Loud and Incredibly Close appears to have incredible chances at a Best Picture nod. Based on the novel by Jonathan Safran Foer, these two and a half minutes alone show incredible promise. Even if it means giving Sandra Bullock another Oscar-nominated movie.

Top Ten Films as of 12/8/11

10. Casablanca (Michael Curtiz, 1942)
9. Gangs of New York (Martin Scorsese, 2002)


8. Thank You For Smoking (Jason Reitman, 2005)


7. Paper Man (Kieran and Michele Mulroney, 2009)


6. Pulp Fiction (Quentin Tarantino, 1994)


5. The Sting (George Roy Hill, 1973)


4. Fargo (Joel and Ethan Coen, 1996)


3. Juno (Jason Reitman, 2007)


2. High Fidelity (Stephen Frears, 2000)


1. Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004)

Slap Shot


Ah the 70's. It was a time of disco, checkered pants, and tight polyester. Thank god I wasn't alive to see it.

Slap Shot (George Roy Hill, 1977) is a quintessential comedy about a minor league hockey team that resorts to violence and brutality to gain fans. The film makes a point to express the styles of the day, including leisure suits worn by Paul Newman and a soundtrack centered around Maxine Nightingale's seminal "Right Back Where We Started From". Part of what makes the film so hilarious today is seeing such outlandish clothing being accepted as normal. I can't begin to count the number of times I grimaced when seeing Newman's fur trench coat.

In a sense, that's what this film is all about though. It is a stylistic satire on the game of hockey and perhaps that rubbed off on Hill's depiction of the modern era. The goon style of hockey played throughout the film is reminiscent of the "Broad Street Bullies" in Philadelphia at the time. Looking back, Slap Shot illustrates a simpler time in terms of hockey, to incredibly humorous results.

The comic antics of the Hanson brothers (Jeff Carlson, Steve Carlson, and David Hanson) perpetuate the hooligan-like archetype of hockey in it's heyday. Watching them slyly trip goalies and referees gives a whole new meaning to the term slapstick comedy. However, what puts this film over the top in terms of comedy films is the performance of Paul Newman. At the time, the fifty-two year old Newman plays the role of the aged hockey player to a T. He delivers all of his lines with the timing of someone who had been making comedies their entire life. And of course, it would be funny no matter what to hear Cool Hand Luke say "dyke" and "pussy" on a regular basis.

But what Newman does the best in this film is create a sense of attachment between the audience and the film. He's the reason we fall in love with the Chiefs. He's the reason we have any sort of emotional connection to the romantic story lines throughout the film. Watching King Cool act as a coach, player, and lover, all with a surprising comedic excellence, is truly a special occasion. Even if he is wearing a turtleneck most of the time.

Grade:
A-